Ambiguous Standards Institute
Crate Studies
ASI 2014-2024- Ambiguous Standards of Serving: Teaglasses
- Ambiguous Standards of Food: Eggs
- Ambiguous Standards of Over-Specification: Kitchen Utensils
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Ambiguous Standards of Tune: Airs & Orders
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Ambiguous Standards of Unicodification: Hands
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Ambiguous Standards of Experience: Duration
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Ambiguous Standards of Electricity: Plugs and Outlets
Edition 2
EOI 2019 ++
- Douglas Adams
- Terence McKenna
- P.B. Shelley
- Bruno Schulz
- Nicola Tesla
- Olaf Stapledon
- G.M. Hopkins
- Buckminster Fuller
- James Joyce
- Richard Feynman
Object Int’l —
Info
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A rock is a perfect metaphor, an allegory in volume. When placed its sculptural limits beget a kind of artistic proposition — and when considered with reduced anthropomorphism and ungeologically — produce a ready-made analog to the causation and bounds of our attempts at the understanding of all things.
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7. G.M. Hopkins
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From Pied Beauty, 1918- Glory be to God for dappled things —
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For skies of couple-colour as a brinded cow;
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For rose-moles all in stipple upon trout that swim;
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Fresh-firecoal chestnut-falls; finches’ wings;
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Landscape plotted and pieced — fold, fallow, and plough;
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And áll trádes, their gear and tackle and trim.
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All things counter, original, spare, strange;
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Whatever is fickle, freckled (who knows how?)
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With swift, slow; sweet, sour; adazzle, dim;
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He fathers-forth whose beauty is past change:
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